Portrait of Amy Czekala

Amy Czekala

Counsel

Amy C. Czekala is an associate in the firm’s Landlord Representation Practice Group. She focuses her practice on real estate, creditor’s rights matters and litigation. Amy works with residential and commercial property owners, management companies and landlords, financial institutions and small businesses.

Amy counsels clients in the areas of management of presale and post-sale operations in the foreclosure process, litigations, evictions, bankruptcy and title matters.

    Education

    • Quinnipiac University School of Law (J.D.)
    • Merrimack College (B.A.)

    State Bar Admissions

    • Maryland
    • District of Columbia
    • Virginia

    Court Admissions

    • United States Court of Appeals for the Fourth Circuit

    Professional Affiliations

    • Northern Virginia Apartment Association
  • Biography
  • Publications & News
  • Offit Kurman Blogs

Firm Highlights

  • Podcasts
    Artful Donations: Exploring Museum Exchange
    In this episode of The Legal Canvas, host Caryn Keppler welcomes Robert Wainstein and Michael Darling, co-founders of Museum Exchange, the first digital platform dedicated to facilitating art donations to museums and nonprofit institutions across North America. Together, they explore how technology is transforming the way collectors, artists, estates, and cultural organizations connect through charitable giving. Robert and Michael explain the inspiration behind Museum Exchange, the challenges they set out to solve, and how the platform has grown into a network of more than 400 museums. They walk listeners through the donation process—from evaluating artwork and matching donors with institutions to handling logistics, documentation, and tax considerations. Along the way, they discuss the realities of museum collecting, why many donations are declined, and how thoughtful placements can help preserve artists' legacies while expanding access to important works of art. The conversation also explores Museum Exchange's work with living artists, artist estates, hospitals, universities, and smaller regional museums, as well as the launch of the Charis Foundation for the Arts, a nonprofit designed to steward significant collections before placing them with institutions that can best benefit from them. Robert and Michael conclude by sharing their vision for the future of charitable art transactions and how Museum Exchange is helping reshape philanthropy in the arts for generations to come.