Portrait of Brittany Rainey

Brittany Rainey

Principal

Brittany Rainey is a member of Offit Kurman’s Landlord Representation Practice Group. She represents clients in a variety of civil litigation matters, including landlord-tenant claims, real estate disputes and debtor/creditor litigation. Brittany assists clients throughout the litigation process, from pre-filing advice through settlement negotiations and trial. She devotes a substantial amount of her practice to the representation of commercial and residential landlords and property managers in litigation associated with unlawful detainers, tenant’s assertions and breach of lease claims.

Outside of the office Brittany participates in Richmond Law School's mentorship program, as a mentor, providing guidance to first year law students.

    Education

    • Washington and Lee University School of Law (J.D.)
    • Radford University (B.A., magna cum laude)

    State Bar Admissions

    • Virginia

    Court Admissions

    • Virginia Supreme Court

    Professional Affiliations

    • Henrico County Bar Association, Member
    • Metro Richmond Women’s Bar Association, Member
  • Biography
  • Publications & News
  • Offit Kurman Blogs

Firm Highlights

  • Podcasts
    Artful Donations: Exploring Museum Exchange
    In this episode of The Legal Canvas, host Caryn Keppler welcomes Robert Wainstein and Michael Darling, co-founders of Museum Exchange, the first digital platform dedicated to facilitating art donations to museums and nonprofit institutions across North America. Together, they explore how technology is transforming the way collectors, artists, estates, and cultural organizations connect through charitable giving. Robert and Michael explain the inspiration behind Museum Exchange, the challenges they set out to solve, and how the platform has grown into a network of more than 400 museums. They walk listeners through the donation process—from evaluating artwork and matching donors with institutions to handling logistics, documentation, and tax considerations. Along the way, they discuss the realities of museum collecting, why many donations are declined, and how thoughtful placements can help preserve artists' legacies while expanding access to important works of art. The conversation also explores Museum Exchange's work with living artists, artist estates, hospitals, universities, and smaller regional museums, as well as the launch of the Charis Foundation for the Arts, a nonprofit designed to steward significant collections before placing them with institutions that can best benefit from them. Robert and Michael conclude by sharing their vision for the future of charitable art transactions and how Museum Exchange is helping reshape philanthropy in the arts for generations to come.